Archive for the ‘collecting works on paper’ Category

May 1, 2012

With private collections constantly evolving, collectors are always looking for innovative forums to discuss and market their desirable, high-quality works.

Though these artworks may no longer fit within the narrow focus of one collection, they may be a great acquisition for another.

During the summer months, June through September, Contemporary Wing will present OFF THE WALL, a series of collaborations which bring together serious collectors and the artwork they wish to exchange or acquire with other collectors who share a common passion.

If you have an exceptional work to propose, or a collecting sector you would like to expand, please contact info@contemporarywing.com.

Seeking:
Street Art
Works on Paper/Prints/Photography
Emerging Artists
Established Contemporary Artists
Works by African American Artists
19th Century/Old Masters
Design

NEXT GENERATION: Selections by Artists from the 30 Americans Collection

January 20, 2012


What do artists Nina Chanel Abney, Nick Cave, Rashid Johnson, Rodney McMillian, Gary Simmons, Xaviera Simmons, Shinique Smith, Henry Taylor, Hank Willis Thomas, Mickalene Thomas, and Carrie Mae Weems have in common?  They are all widely acknowledged as top contemporary American artists, all African American, and each artist’s work is included in the seminal Rubell Family collection, 30 Americans, currently on view locally at the Corcoran Gallery of Art.  But there is another connection.  This group of artists also recently assisted Contemporary Wing in selecting the exhibitors featured in its debut show in D.C. entitled, NEXT GENERATION: Selections by Artists from the 30 Americans Collection.  Contemporary Wing asked the artists to provide one or two names of emerging and mid-career, contemporary American artists who, in their opinion, best represent the “next generation” of artists who have the potential to define the American landscape in the next decade.

The result is a fabulous group of artists working in a broad range of media, including photography, painting, sculpture, installation, textiles, drawing, light and new media, as well as works that combine or hover between these media. The twelve participating artists in NEXT GENERATION are: Derrick Adams, Kajahl Benes, Caitlin Cherry, Sonya Clark, Alex Ernst, Wyatt Gallery, Kira Lynn Harris, David Huffman, Jason Keeling, Karyn Olivier, Gary Pennock, and Cheryl Pope. 

NEXT GENERATION runs from February 4 until March 10, 2012, Tuesday through Saturday from 11-6 p.m.  The preview is Friday, February 3, from 6-9 p.m., and the public opening is on Saturday, February 4, from 6-9 p.m.  The artists and Kalia Brooks, who critiqued the work for the exhibition catalog, will be present at both private and public openings.  Because of the scale of the works, the show is being held at an alternative site, at 1250 9th Street, N.W, in Washington, D.C.  NEXT GENERATION promises to present dynamic work of the highest quality that is changing the face of contemporary art, some of which deals directly with issues of race and diversity, and some with social and aesthetic questions more broadly.

A catalog will accompany the exhibition with critiques by Kalia Brooks, Exhibitions Director at MoCADA (Museum of Contemporary African Diasporan Arts) in Brooklyn, NY.

Derrick Adams – Derrick Adams is a New York-based artist who is interested in how perceptions and ideals attach to objects, colors, shapes and materials especially in the built environment. A recurring theme in his work is the relationship between man and monument.

Kajahl Benes – Kajahl Benes is a painter from Santa Cruz, California, who lives and works in New York City.  Benes creates large-scale paintings of figures incorporating divergent cultural symbols as well as ancient and contemporary signifiers within each work.

Caitlin Cherry – Caitlin Cherry is a painter and installation artist from Chicago, Illinois who lives and works in New York City.  In her abstracted self-portraits, she replaces her own figure with an avatar to compelling effect.  Most of her paintings are connected to, or held by, found objects that further engage the themes of her work.

Sonya Clark – Sonya Clark is an installation, fiber, and textile artist based in Richmond, Virginia. She explores the social significance of hair with regard to race and assimilation and related notions of beauty. Using the thin-toothed black combs found in any barber shop, and in some cases, thread, and hair foil, she creates sculptures and tapestries of rapturous form and color.

Alex Ernst – Alex Ernst is a New York-based sculptor who uses wood, string, and rudimentary tools requiring only the power of her effort.  Her process is intentionally stripped down, leaving form, the inherent beauty of materials, and a record of her impact upon them.

Wyatt Gallery – Wyatt Gallery is a photographer who often documents humanitarian crises.  This body of work, Tent Life: Haiti, is a series of photographs taken after the devastating 7.0 magnitude earthquake in 2010.

Kira Lynn Harris – Kira Lynn Harris was born and raised in Los Angeles, and currently works in Harlem, New York.  She is a multi-media artist interested in light, space, and perception.  Her installations destabilize perception in order to reveal a new orientation.

David Huffman – David Huffman is an abstract painter based in Oakland, California. His works are an amalgam of the formal concerns of abstract painting and social identity.

Jayson Keeling
– Jayson Keeling is a New York-based artist whose works evoke an ominous glamour.  He uses glitter on canvas to portray skeletons or nuclear explosions, and the tension created by disjunction in form and content draws the viewer to his work.

Karyn Olivier– Karyn Olivier was born in Trinidad and Tobago and works currently in Brooklyn, New York.  Olivier often uses playground elements in her work, since the playground is where children learn about isolation and socialization. Olivier also favors the repetition of identical forms–twin dilapidated houses or multiple tether balls–to transform banal elements into works of art.

Gary Pennock – Gary Pennock is a Brooklyn-based artist who works primarily with light, sound, and video projection.  With titles like “A Line Through the Center of Space,” and “Across the Stillness of Time,” Pennock transports viewers virtually to another dimension.  Beauty is a chief concern in his work.

Cheryl Pope – Cheryl Pope is a multi-disciplinary artist who incorporates collaboration and community into her process.  She is showing work from her “Hoop Dreams” series that is based on conversations with African American youth, many of whom expressed the belief–remarkably, to this day–that professional basketball is the only future open to them.

To preview the works please contact info@contemporarywing.com

Contemporary Wing would like to extend a special thanks to          CAS Riegler and City Interests for their generosity

Place Holder, Reminder & Prediction

July 10, 2010

Ashley No Love Lost by Gregory Crewdson

Apologies for the radio silence from the Specullector blog.  Friendly reminder to graduate students (you know who your are):

These posts are my opinions and I retain intellectual copyright. A blog is not considered an A source so I would highly suggest not using this content  for your theses. If you still decide to, please quote it, some of your professors could have second careers as private investigators.

I am happy to leave the blog up as a public archive and if there are any questions, or if you would like my opinion on an art world situation, please reach out to me at lauren@irvinecontemporary.com

One last final prediction: lets not ignore what is brewing in LA – London galleries opening outposts, NY power dealers accepting museum directorships, blockbuster Getty acquisitions, large financial and personal investments from mega-collectors  -  building blocks for the future of a new American and global art node.

Shepard Fairey Obama HOPE Portrait Acquisition

January 7, 2009

Smithsonian National Portrait Gallery Acquires

Shepard Fairey Obama HOPE Portrait

from Irvine Contemporary’s Regime Change Starts at Home Exhibition

We are pleased to announce that the National Portrait Gallery has acquired Shepard Fairey’s iconic Obama HOPE portrait through a generous gift of Tony and Heather Podesta. The unique hand-stenciled and collaged painting will be on view in the “new acquisitions” wing of the National Portrait Gallery in time for the inauguration of President Obama on January 20. Congratulations to Shepard Fairey on this important achievement, and many thanks to our friends Tony and Heather Podesta for their generosity and support of this acquisition at this historic moment!

fairey-obama-paper_13Fit for a T: Portrait Gallery Gets Obama ‘Hope’ Collage

That campaign-defining image of Barack Obama that burned itself into your brain this past year is headed to the National Portrait Gallery.

The original red-and-blue “Hope” collage by graphic designer Shepard Fairey that inspired countless posters, T-shirts and buttons has been obtained by the gallery via a gift from Washington superlobbyists Tony and Heather Podesta.

The two are longtime fans of Fairey who have several other works of his in their large, eye-popping modern-art collection. Though they’ve donated to other local museums, this is their first to the Portrait Gallery — and the Portrait Gallery’s first Obama image to join its permanent collection.

“It seemed like a historic moment for the country, and a chance to do something for art and Democrats,” Tony Podesta, brother of transition co-chairman John Podesta, told us. The gift is in honor of their late mother, Mary K. Podesta, who became an ardent supporter of the future president after meeting him at their fundraiser for his 2004 Senate race. “She would giggle and say, ‘He liked my cooking!’ ” Heather Podesta recalled.

The surprisingly large work — 60 inches by 44 inches — will hang in the “new arrivals” gallery on the museum’s first floor, where its nearby neighbor will be the newly unveiled Laura Bush portrait. Gallery spokeswoman Bethany Bentley said it will be up by Inauguration Day.

(From The Washington Post, Reliable Source, Style, January 7, 2009 – image courtesy of National Portrait Gallery ©Shepard Fairey)

The International Art Markets

September 25, 2008

The publishers of The International Art Markets: The essential guide for collectors and investors kindly sent me a copy to read and review.  It has obviously taken me forever to do this because this book covers the markets in Sub-Saharan Africa, Argentina, Australia, Austria, Belgium, Brazil, Canada, Chile, China, Czech Republic, Denmark, Iceland, Finland, France Germany, Greece, India, Indonesia, Ireland, Israel, Italy, Japan, Malaysia, Mexico, Middles East, North Africa, The Netherlands, New Zealand, Norway, The Philippines, Poland, Portugal, Russia, Singapore, South Africa, South Korea, North Korea (just kidding), Spain, Sweden, Switzerland, Taiwan, Thailand, Turkey, United Kingdom, USA and Venezuela.  I guess since I already spent 70k at Sotheby’s Institute learning about all of this, I was the right person to ask

Edited by James Goodwin, with contributions by some of my old grad school professors and other associates, I have to admit that I was a little nervous to read and then publicly review. Especially since the chapters on the markets in Sub-Sahara Africa and Portugal are each twice as long as the one on the American market. And because the book cost $100 and there are advertisements for a diamond company on the first page … but I was pleasantly surprised, who knew the market in the Czech Republic was so interesting?

Each week I will write on a country above, starting tomorrow with Sub-Sahara Africa…


Collecting works on paper

September 4, 2007

Collecting works on paper is a great entry into collecting fine art, especially in the past decade. Collecting works on paper has become very desirable because pieces by emerging artists can be acquired at low price points and there is a lot of innovative work being done in the medium. Collectors are attracted to the uniqueness of works on paper, as opposed to prints, and to the experimental nature, exploration and story-telling through the intimacy of paper.

Works of art on paper include drawings (in any media), collages and other paper-based methods, but not prints (prints are made by drawing a stone or metal surface, not on paper or canvas, from which an image is printed a number of times).

Works on paper are delicate and can be easily damaged, so proper care is a must. When unframed, works on paper must be handled using cotton gloves to protect the paper’s ph-balance from the natural oils in your skin. Poor framing and exposure to strong light are also issues. The paper should be framed using acid-free materials because the acid from regular paper or cardboard will eat into the paper and stain it. You can choose between museum-quality, UV retardant glass or Plexiglas to reduce fading. Cleaning agents should never be used on the glass or Plexiglas because it removes the UV protection and the paper should never be in direct contact with glass; use a spacer. Once framed, a work on paper should not be hung in very humid areas which will cause fungus to grow, this is known as foxing (small brown spots). Also environments that are too dry or cold will cause the paper to become brittle and crack and dust and pollution are also variables that can damage all works of art. In regards to lighting, if at all possible one should avoid halogen and florescent lights and use tungsten light instead. Works on paper should never be rolled in tubes for mailing or rolled for extended periods of storage. They should be stored flat, between acid-free tissue paper or glassine.

If properly taken care of, works on paper should retain their value and can potentially increase the integrity and synchronicity of a collection overall.

close-selfportraitpulp-2001-lg.jpg

Chuck Close, Self Portrait – colored and pressed paper pulp.


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