Archive for the ‘collecting emerging art’ Category

Hedieh Javanshir Ilchi: I’M COMING HOME

May 4, 2012

Contemporary Wing is proud to present Hedieh Javanshir Ilchi’s solo exhibition, I’M COMING HOME in our new permanent home on 14th Street N.W. in Washington, D.C.

Javanshir Ilchi’s paintings explore the duality of her cultural identity as an Iranian–American. The new series reflects her ongoing interest in the fusion of visual codes of Western abstraction and traditional Persian Art, with an emphasis on the “Tazhib,” the Persian tradition of illumination. The resulting synthesis evokes allegories of intrusion and invasion, referencing the historical and contemporary sociopolitical conflicts.

Unlike her previous bodies of work, where heroines conducted the non-linear narratives, these new allegories are exhibited through the absence of the figure. This conscious abandonment is consistent with the forbidden portrayal of humans and animals in Islamic art practices, which led to the birth of ornate geometric and floral patterns.

Javanshir Ilchi places these symbols in a particular milieu by referencing the Persian notion of “paradise,” which is rooted in the Old Iranian language of Avestan. This tradition represents paradise as an enclosed garden, commonly known as the ultimate idyllic abode where peace, prosperity, and pleasure surround the state of being. In these works, the idea of paradise is reconstructed to depict contradictory impulses in a social, political, and cultural context. The ethereal structures imply the idea of “home” surrendered by lush flora to suggest a blissful paradisiacal state, only to be ambushed by a strange sense of invasion.

I’M COMING HOME runs from May 12 through June 16, 2012, Tuesday through Saturday from 11 a.m. to 6 p.m. The public opening is Saturday, May 12, from 6 to 8 p.m.
____________
 Hedieh Javanshir Ilchi (b. 1981 Tehran, Iran) holds an MFA in studio art from American University and a BFA from the Corcoran College of Art + Design. Recently she was the recipient the 2010 International Research Mellon Grant and the Babs Van Swearingen Award from the American University. Her work is among a number of private collections in Washington D.C. where she lives and works.

 

To preview the works please contact info@contemporarywing.com

We look forward to showcasing this new series, along with our new home designed by Lori Graham Design at 1412 14th Street N.W. in Washington, D.C.

May 1, 2012

With private collections constantly evolving, collectors are always looking for innovative forums to discuss and market their desirable, high-quality works.

Though these artworks may no longer fit within the narrow focus of one collection, they may be a great acquisition for another.

During the summer months, June through September, Contemporary Wing will present OFF THE WALL, a series of collaborations which bring together serious collectors and the artwork they wish to exchange or acquire with other collectors who share a common passion.

If you have an exceptional work to propose, or a collecting sector you would like to expand, please contact info@contemporarywing.com.

Seeking:
Street Art
Works on Paper/Prints/Photography
Emerging Artists
Established Contemporary Artists
Works by African American Artists
19th Century/Old Masters
Design

NEXT GENERATION: Selections by Artists from the 30 Americans Collection

January 20, 2012


What do artists Nina Chanel Abney, Nick Cave, Rashid Johnson, Rodney McMillian, Gary Simmons, Xaviera Simmons, Shinique Smith, Henry Taylor, Hank Willis Thomas, Mickalene Thomas, and Carrie Mae Weems have in common?  They are all widely acknowledged as top contemporary American artists, all African American, and each artist’s work is included in the seminal Rubell Family collection, 30 Americans, currently on view locally at the Corcoran Gallery of Art.  But there is another connection.  This group of artists also recently assisted Contemporary Wing in selecting the exhibitors featured in its debut show in D.C. entitled, NEXT GENERATION: Selections by Artists from the 30 Americans Collection.  Contemporary Wing asked the artists to provide one or two names of emerging and mid-career, contemporary American artists who, in their opinion, best represent the “next generation” of artists who have the potential to define the American landscape in the next decade.

The result is a fabulous group of artists working in a broad range of media, including photography, painting, sculpture, installation, textiles, drawing, light and new media, as well as works that combine or hover between these media. The twelve participating artists in NEXT GENERATION are: Derrick Adams, Kajahl Benes, Caitlin Cherry, Sonya Clark, Alex Ernst, Wyatt Gallery, Kira Lynn Harris, David Huffman, Jason Keeling, Karyn Olivier, Gary Pennock, and Cheryl Pope. 

NEXT GENERATION runs from February 4 until March 10, 2012, Tuesday through Saturday from 11-6 p.m.  The preview is Friday, February 3, from 6-9 p.m., and the public opening is on Saturday, February 4, from 6-9 p.m.  The artists and Kalia Brooks, who critiqued the work for the exhibition catalog, will be present at both private and public openings.  Because of the scale of the works, the show is being held at an alternative site, at 1250 9th Street, N.W, in Washington, D.C.  NEXT GENERATION promises to present dynamic work of the highest quality that is changing the face of contemporary art, some of which deals directly with issues of race and diversity, and some with social and aesthetic questions more broadly.

A catalog will accompany the exhibition with critiques by Kalia Brooks, Exhibitions Director at MoCADA (Museum of Contemporary African Diasporan Arts) in Brooklyn, NY.

Derrick Adams – Derrick Adams is a New York-based artist who is interested in how perceptions and ideals attach to objects, colors, shapes and materials especially in the built environment. A recurring theme in his work is the relationship between man and monument.

Kajahl Benes – Kajahl Benes is a painter from Santa Cruz, California, who lives and works in New York City.  Benes creates large-scale paintings of figures incorporating divergent cultural symbols as well as ancient and contemporary signifiers within each work.

Caitlin Cherry – Caitlin Cherry is a painter and installation artist from Chicago, Illinois who lives and works in New York City.  In her abstracted self-portraits, she replaces her own figure with an avatar to compelling effect.  Most of her paintings are connected to, or held by, found objects that further engage the themes of her work.

Sonya Clark – Sonya Clark is an installation, fiber, and textile artist based in Richmond, Virginia. She explores the social significance of hair with regard to race and assimilation and related notions of beauty. Using the thin-toothed black combs found in any barber shop, and in some cases, thread, and hair foil, she creates sculptures and tapestries of rapturous form and color.

Alex Ernst – Alex Ernst is a New York-based sculptor who uses wood, string, and rudimentary tools requiring only the power of her effort.  Her process is intentionally stripped down, leaving form, the inherent beauty of materials, and a record of her impact upon them.

Wyatt Gallery – Wyatt Gallery is a photographer who often documents humanitarian crises.  This body of work, Tent Life: Haiti, is a series of photographs taken after the devastating 7.0 magnitude earthquake in 2010.

Kira Lynn Harris – Kira Lynn Harris was born and raised in Los Angeles, and currently works in Harlem, New York.  She is a multi-media artist interested in light, space, and perception.  Her installations destabilize perception in order to reveal a new orientation.

David Huffman – David Huffman is an abstract painter based in Oakland, California. His works are an amalgam of the formal concerns of abstract painting and social identity.

Jayson Keeling
– Jayson Keeling is a New York-based artist whose works evoke an ominous glamour.  He uses glitter on canvas to portray skeletons or nuclear explosions, and the tension created by disjunction in form and content draws the viewer to his work.

Karyn Olivier– Karyn Olivier was born in Trinidad and Tobago and works currently in Brooklyn, New York.  Olivier often uses playground elements in her work, since the playground is where children learn about isolation and socialization. Olivier also favors the repetition of identical forms–twin dilapidated houses or multiple tether balls–to transform banal elements into works of art.

Gary Pennock – Gary Pennock is a Brooklyn-based artist who works primarily with light, sound, and video projection.  With titles like “A Line Through the Center of Space,” and “Across the Stillness of Time,” Pennock transports viewers virtually to another dimension.  Beauty is a chief concern in his work.

Cheryl Pope – Cheryl Pope is a multi-disciplinary artist who incorporates collaboration and community into her process.  She is showing work from her “Hoop Dreams” series that is based on conversations with African American youth, many of whom expressed the belief–remarkably, to this day–that professional basketball is the only future open to them.

To preview the works please contact info@contemporarywing.com

Contemporary Wing would like to extend a special thanks to          CAS Riegler and City Interests for their generosity

Place Holder, Reminder & Prediction

July 10, 2010

Ashley No Love Lost by Gregory Crewdson

Apologies for the radio silence from the Specullector blog.  Friendly reminder to graduate students (you know who your are):

These posts are my opinions and I retain intellectual copyright. A blog is not considered an A source so I would highly suggest not using this content  for your theses. If you still decide to, please quote it, some of your professors could have second careers as private investigators.

I am happy to leave the blog up as a public archive and if there are any questions, or if you would like my opinion on an art world situation, please reach out to me at lauren@irvinecontemporary.com

One last final prediction: lets not ignore what is brewing in LA – London galleries opening outposts, NY power dealers accepting museum directorships, blockbuster Getty acquisitions, large financial and personal investments from mega-collectors  -  building blocks for the future of a new American and global art node.

Announcing Introductions5

July 8, 2009

Irvine Contemporary is pleased to announce Introductions5, our fifth curated “MFA annual” that brings a selection of new artists from leading art college programs to Washington, D.C. Through a combined process of thesis exhibition visits, artist studio visits, and open submissions, we reviewed over 200 recent graduates from leading MFA programs across the US.

Opening reception with artists, Saturday, August 8, 6:30-9 PM.

Congratulations Introductions5 Participants:

Jonathan Dankenbring (MFA, Indiana University): Sculpture and Installation

Ultra, 2009. Hematite and jade. 4.3 x 2.4 x .3 inches each

Ultra, 2009. Hematite and jade. 4.3 x 2.4 x .3 inches each

John Hill, Jr. (MFA, University of North Carolina-Chapel Hill): Drawing

Proactive Teamwork (scene 4), 2008-2009, Pen on paper, 24 x 32 inches

Proactive Teamwork (scene 4), 2008-2009, Pen on paper, 24 x 32 inches

Christopher LaVoie (MFA, Maryland Institute College of Art): Sculpture

Headstone Milestone, 2009. Concrete and cord. Dimensions variable

Headstone Milestone, 2009. Concrete and cord. Dimensions variable

Paris Mavroidis (MFA, Pratt Institute): Digital Media & Film

Divers, 2009. Short Animation (Color), 3 minutes

Divers, 2009. Short Animation (Color), 3 minutes

Matt Sartain (MFA, Academy of Art University, San Francisco): Photography

Untitled (Night), 2009. Archival digital pigment print. Dimensions variable

Untitled (Night), 2009. Archival digital pigment print. Dimensions variable

Wayne Toepp (MFA, Maryland Institute College of Art): Painting

Monitor #12, 2008. Oil on canvas. 36 x 48 inches.

Monitor #12, 2008. Oil on canvas. 36 x 48 inches.

Yi-Hsin Tzeng (MFA, Savannah College of Art and Design): Painting and Mixed Media

Invisible: Box Series (Black), 2008. Acrylic and printmaking on panels, 8.5 x 8.5 x 19.5 inches

Invisible: Box Series (Black), 2008. Acrylic and printmaking on panels, 8.5 x 8.5 x 19.5 inches

Stacey Lee Webber (MFA, University of Wisconsin-Madison): Sculpture

Screwball 1, 2009. Screws, thread, mixed materials. Dimensions variable

Screwball 1, 2009. Screws, thread, mixed materials. Dimensions variable

Street/Studio Schedule @ Irvine

June 13, 2009

Program and Events for Street/Studio

Lineup: Shepard Fairey (LA), Swoon (NY), Gaia (Brooklyn), Imminent Disaster (Brooklyn), Oliver Vernon (Brooklyn), James Marshall (Dalek) (NY and Raleigh, NC), EVOL (Berlin), and PISA73 (Berlin).

June 17-20: On-site wall murals and installations in progress

Artists will create murals and installations in the alley and rear of the gallery at 14th and P Streets. Preview day: Friday, June 19, 1:00-4:00PM.

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Above: new works by James Marshall (Dalek). Arcylic on panel, 10 x 10 and 14 x 14 inches each

June 19: Public Program: Katzen Arts Center, American University Museum, 7:00 PM

Panel discussion on the impact of street art in the contemporary artworld with curators and artists. Panelists include Pedro Alonzo (Independent Curator, and Curator of the Shepard Fairey Retrospective at the Boston Institute of Contemporary Art), Anne Goodyear (Assistant Curator, Smithsonian National Portrait Gallery), and artists Oliver Vernon, EVOL, Pisa73, and Gaia. Moderator: Martin Irvine, Director, Irvine Contemporary. Katzen Arts Center, American University Museum, Washington, DC.

EVOL (berlin, Germany) Berlin Shroud, 2009. Spray paint, stencil on cardboard. 20 x 20 inches

EVOL (Berlin, Germany) Berlin Shroud, 2009. Spray paint, stencil on cardboard. 20 x 20 inches

June 20: Opening Reception and Alley Block Party, 6:00-11:00 PM

Join us for an opening reception with the artists and block party in the alley behind the Irvine Contemporary gallery, 14th and P Streets, NW, Washington, DC. Live music by DJs Iona Rozeal Brown and Jahsonic. New wall murals and installations by the artists will be on view.

New Image

Gaia Brooklyn, NY) Hand print on found plywood, street mural, 2009.

New print edition by Gaia for the exhibition published by Irvine Contemporary. Three-color screenprint on Kitakata paper. Edition of 30. Printed by Pyramid Atlantic, Silver Spring, MD.

GaiaPrint.st

Gaia, Bear. 2009. 3 color screenprint on Kitakata paper, ed. of 30. 20 x 13.5 inches

Irvine Contemporary and …

December 30, 2008

MANIFEST HOPE:DC Announces
Inauguration Art Gallery
and Nationwide Art Contest

Winners’ Work to be Shown at “MANIFEST HOPE:DC Gallery”
During the Presidential Inauguration in Washington, D.C.


(December 29, 2009  Los Angeles, CA) MANIFEST HOPE:DC (www.manifesthope.com)   and its partners MoveOn PAC, the Service Employees International Union (SEIU) and Obey Giant launches a contest today, calling for entries of visual artwork from artists across the country in an online contest. The online contest calls for works that use positive messaging to convey the urgency and importance of encouraging a national dialogue about three themes – Heath Care Reform, the Green Economy and Workers’ Rights.

Building upon the success of MANIFEST HOPE at the Democratic National Convention, MANIFEST HOPE:DC will, once again, gather under one roof the nation’s most talented visual artists and musicians to celebrate the unparalleled grassroots campaign that helped carry President-Elect Barack Obama to victory. Art played an unprecedented role in this election. MANIFEST HOPE:DC celebrates that role, inviting artists to contribute to this remarkable moment in history by creating a forum for both artists and activists to use their powerful voices in maintaining the momentum that will bring about true change in the United States.

MANIFEST HOPE:DC and its partners are offering the public an opportunity to submit art in an online contest, with three chances to win.  The contest is composed of three parts.  Artists can make one submission per category, totaling a maximum of three submissions:

  • Manifest Opportunity – Stimulating The Green Economy
  • Manifest Change – Health Care Reform
  • Manifest Unity – Protecting Workers’ Rights


Submissions will be reviewed by a panel of judges including famed artist, Shepard Fairey; Director, Spike Lee; Washington DC based musician, Eric Hilton of the Thievery Corporation; Curator of Contemporary Art at the Smithsonian Hirshhorn Museum and Sculpture Garden, Anne Ellegood; SEIU 775NW Healthcare President, David Rolf; Creative & Cultural Director of MoveOn.org, Laura Dawn; and Co-Founder and President of Green For All, Van Jones. Fifteen finalists will be selected to show in the MANIFEST HOPE:DC Gallery alongside well-known artists such as Shepard Fairey, David Choe, Ron English, Ray Noland, Maya Hayuk, Sol Sender and Mike Murphy.

MANIFEST HOPE:DC co-creator Shepard Fairey is known world wide as one of the most prolific urban artists and as designer of the highly visible Obama HOPE posters, stickers and shirts that have been embraced by Obama supporters as the symbol of the grassroots movement. Fairey’s prolific image sparked a maelstrom of grassroots art that has been hung in not only in high-art galleries but volunteer and campaign offices as well.

Creating an inviting and inspiring destination for both those in town to celebrate the inauguration and for residents of Washington DC and the area, MANIFEST HOPE:DC (3333 M Street NW, Washington DC 20007) will be open to the public from Friday, January 16th, 2009 through Monday, January 19th, 2009 from 10:00 am – 6:00 pm.  Visitors will be invited to take in spectacular art, participate in interesting onsite activities and most importantly encouraged to continue to engage in the grassroots movement that carried Barack Obama to the White House.

In addition to the public art gallery, MANIFEST HOPE:DC will host a private, invite-only opening event on Friday, January 16th, 2009 and a closing celebration & inauguration party on the evening of Monday, January 19th, 2009.

MANIFEST HOPE:DC is produced by Evolutionary Media Group and brings together a diverse coalition of organizations working to achieve shared goals.

MANIFEST HOPE:DC Gallery
3333 M Street NW
Washington DC 20007
www.manifesthope.com

For more information or media requests please contact:

Jennifer Gross | Yosi Sergant
Evolutionary Media Group
323/658-8700
jennifer@emgpr.com | yosi@emgpr.com
contest

The International Art Markets

September 25, 2008

The publishers of The International Art Markets: The essential guide for collectors and investors kindly sent me a copy to read and review.  It has obviously taken me forever to do this because this book covers the markets in Sub-Saharan Africa, Argentina, Australia, Austria, Belgium, Brazil, Canada, Chile, China, Czech Republic, Denmark, Iceland, Finland, France Germany, Greece, India, Indonesia, Ireland, Israel, Italy, Japan, Malaysia, Mexico, Middles East, North Africa, The Netherlands, New Zealand, Norway, The Philippines, Poland, Portugal, Russia, Singapore, South Africa, South Korea, North Korea (just kidding), Spain, Sweden, Switzerland, Taiwan, Thailand, Turkey, United Kingdom, USA and Venezuela.  I guess since I already spent 70k at Sotheby’s Institute learning about all of this, I was the right person to ask

Edited by James Goodwin, with contributions by some of my old grad school professors and other associates, I have to admit that I was a little nervous to read and then publicly review. Especially since the chapters on the markets in Sub-Sahara Africa and Portugal are each twice as long as the one on the American market. And because the book cost $100 and there are advertisements for a diamond company on the first page … but I was pleasantly surprised, who knew the market in the Czech Republic was so interesting?

Each week I will write on a country above, starting tomorrow with Sub-Sahara Africa…


New Orleans 2008: 1st American Biennial (and Banksy)

August 28, 2008

I’m not a huge fan of Banksy – I think of him as a Street Art Phenom we’ll look back on in 10 years (fine, maybe 15) and say, “remember when people spent millions on that guy’s work?!!”. But since he has such a huge following and his work is fun and not too difficult, here’s what has recently been spotted in New Orleans.

According to Gawker.com, “…to commemorate the third anniversary of Hurricane Katrina on August 29… Some of the pieces relate directly the hurricane and its disastrous aftermath; others are targeted at the legacy of Fred Radtke, an infamous N.O. anti-graffiti crusader known as the ‘Gray Ghost’ for his practice of painting over graffiti in gray paint—regardless of the color of the underlying wall.”

BUT what is WAY more interesting and important in New Orleans this year is the first American Biennial, P.1 or Prospect New Orleans, curated by Dan Cameron.

CHECK OUT THIS LINEUP!

Secondary Market for Emerging Art?

February 29, 2008

That’s an oxymoron.

I was reading Hoogrrl and below that awesome picture of the Dissident Display boys and me on a fried egg, is a comment:

Anonymous John D. said…
I like the idea of collecting up-and-coming, or already-sort-of-there artists. I do some of that myself, and like you [Hoogrrl], I think about the future market value of the work. To that end, are you aware of any readily accessible auctions or other secondary markets where such works are bought and sold, hopefully for more than the was previously paid for them?

There is not a secondary market for emerging artists. Galleries and dealers try their hardest to prevent this from happening; it can ruin the career of a young artist. Most invoices include a clause that entitles the gallery first right of refusal if the collector decides to resell the object. Some people, who are not serious collectors and think they’re being a clever specullector, will buy and then try to quickly flip the work in an auction or other public domain. Doing this will get you blacklisted and the gallery, dealer and artist will never sell to you again (and trust me, we find out).

It takes time to develop a young artist’s career and committed galleries do this by developing different structures; for example, the price structure is dependent on published reviews in respected media (Art in America, Art Forum), the right curator including them in a group or museum show, a taste-maker collecting the work, etc. So by exposing the artists early on in their career to a secondary market makes all of the above difficult to achieve. Look at what Saatchi did to Sandro Chia … (obviously there is a huge scale difference in that comparison but it’s an interview everyone should have read if they haven’t already).

Back down to our scale, nobody wants to see a young artist they collect, their newest acquisition, in some random regional auction in New Jersey.

My suggestion, buy what you like and enjoy it. Spend time getting to know the artists you collect. By buying their work, you are providing them with a paycheck and supporting their career (1). Begin a relationship with the gallery who represents the artist, they in turn will develop a relationship with you and offer perks such as a price courtesy or a private viewing of new work (3). Soon you will meet others who also share your passion for work by that artist and they won’t sell too early in NJ either (10).

These are all benefits of collecting emerging art and there are at least 14 new friends to be made in the above interactions!

But if you need to resell before “it’s time” (mid-career or established, think years) go to the gallery you bought the work from. They will either buy it back or use one of their many outlets to sell it for you – it’s the best way to keep your respect and all those friends I promised you.


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