Archive for the ‘Armory Show’ Category

Perfect NY Armory Week Cocktail Party Topic

March 7, 2009

It’s Saturday and I’m sure everyone has played out the usual art fair talk-tracks: “Hiiiiiiii, how are you?” “So, how are sales?” “Have you been affected, everything okay?” “Is it true you can roll a bowling ball down the aisles of your fair?” – here is something much more interesting to think/talk about:

An article I read this week gave me flashbacks to the 1980s. Remember the speculative run in the art market and the subsequent bust in the 1990s due to the downturn in the Japanese economy?   Many would recall the apogee of these times was when one weekend Ryoei Saito bought Vincent van Gogh’s Portrait du Dr. Gachet for $82.5 million from Christie’s NY and Auguste Renoir’s Au Moulin de la Galette for $78.1 million from Sotheby’s NY and then he and his paper company went bankrupt and he was charged with criminal activities.

The van Gogh was seized by Japan’s Fuji Bank  (even though Saito asked to be cremated with it) and resold for a fraction of the price.  In the end, Japan’s banks had confiscated over $200 million dollars of art from Japanese businessmen putting it all into bank vaults and then going under themselves.  Some Eurocentrics describe this time as the devouring of Western culture by Japanese speculators. In these days, I would describe it as familiar.

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Vincent van Gogh’s Portrait du Dr. Gachet and Auguste Renoir’s Au Moulin de la Galette

So with that background in mind, I present the ArtDaily headline of the week: Chinese Bidder at Christie’s YSL Auction Refuses to Pay for Controversial Works of Art.  With quote of the week from this bidder who committed over $40 million dollars to 2 sculptures in the auction: “I must stress I do not have the money to pay for this”.

Um, really Mr. Cai Mingchao? Really?!  So I thought, here we go again, but now with China.

NO, it’s so much more interesting – issues of cultural rights and heritage, patrimony and national sentiment – you can read here and here.

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And a quote I would like to end on from Chinese Government Rep. Zhao Qizheng regarding the situation: “[Cao's bid] was a lesson to the rest of the world, including the French”.

Now go party and discuss…

Best of Ny Armory Week 08

April 3, 2008

Best Fair: Volta

Best Booth: Fred London Ltd at Volta NY with Cathy de Monchaux‘s installation

Best Chelsea Gallery Show: Angelo Filomeno: Betrayed Witches at Gallery Lelong

Best Auction Deal: Jeremy Blake’s print, Liquid Villa in the April 2 Contemporary Sale Sotheby’s (only went for $6250 – the reserve)

Best Armory Show Deal: Johan Nobell’s work in the Andréhn-Schiptjenko booth

Most interesting work at the Whitney Biennial: Omer Fast: The Casting

Stupidest Thing I Said: asking Sweet P from Project Runway why she looked so familiar and if we went to the same gym

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Cathy de Monchaux in her installation at Volta (thank you Mary Barone for the image)

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Johan Nobell – The Pond, 2007. Oil on linen, 27 x 35 7/8 in.

Auction Houses set to prey on Contemporary market

April 20, 2007

Art prices have continued to climb since the last drop in the early to mid 1990s and the investment capital required to be a major player in the market these days is at its highest. Yet, collectors are collecting nonetheless, thankfully, and art fairs continue to be the hot locations for purchasing. Until recently, contemporary art dealers have held the sole spots at art fairs. New developments in the art market, however, suggest that the heavy hitting auction houses are moving in on this last untouched dealer-only territory, and dealers are not pleased. The Art Newspaper reports that Christie’s and Sotheby’s both had booths at the European Fine Art Fair in Maastricht last March.

Further moves have been made, as well, leaving art dealers nervous that the auction houses are poaching on them a bit too closely this time. In another audacious maneuver, Christie’s recently purchased contemporary art gallery Haunch of Venison, gaining further access to at least two other contemporary fairs Frieze and the Armory Show this year.Once upon a time, these two sectors of the art market, the dealer and the auction house, used to cohabitate happily (sale rooms are now increasingly being occupied by collectors), in a sort of symbiotic relationship to balance the market’s need of supply and demand. With these new developments, it is undeniable that the market has indeed changed and the art fairs have been opened allowing the auction houses to step in and compete where the dealers once thrived alone. Through their reputable names, extensive client lists and international allure, the duopoloy of auction houses have left dealer’s in competition with TWO powerful bodies. Art fairs, for the time being, remain a strength for dealers, as the element of bringing top notch collectorship to one centralized area creates a similar ‘get it now before it is gone’ effect that auctions possess; though, this new aspect of the art market needs to be watched closely.
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