Archive for the ‘American art market’ Category

Hedieh Javanshir Ilchi: I’M COMING HOME

May 4, 2012

Contemporary Wing is proud to present Hedieh Javanshir Ilchi’s solo exhibition, I’M COMING HOME in our new permanent home on 14th Street N.W. in Washington, D.C.

Javanshir Ilchi’s paintings explore the duality of her cultural identity as an Iranian–American. The new series reflects her ongoing interest in the fusion of visual codes of Western abstraction and traditional Persian Art, with an emphasis on the “Tazhib,” the Persian tradition of illumination. The resulting synthesis evokes allegories of intrusion and invasion, referencing the historical and contemporary sociopolitical conflicts.

Unlike her previous bodies of work, where heroines conducted the non-linear narratives, these new allegories are exhibited through the absence of the figure. This conscious abandonment is consistent with the forbidden portrayal of humans and animals in Islamic art practices, which led to the birth of ornate geometric and floral patterns.

Javanshir Ilchi places these symbols in a particular milieu by referencing the Persian notion of “paradise,” which is rooted in the Old Iranian language of Avestan. This tradition represents paradise as an enclosed garden, commonly known as the ultimate idyllic abode where peace, prosperity, and pleasure surround the state of being. In these works, the idea of paradise is reconstructed to depict contradictory impulses in a social, political, and cultural context. The ethereal structures imply the idea of “home” surrendered by lush flora to suggest a blissful paradisiacal state, only to be ambushed by a strange sense of invasion.

I’M COMING HOME runs from May 12 through June 16, 2012, Tuesday through Saturday from 11 a.m. to 6 p.m. The public opening is Saturday, May 12, from 6 to 8 p.m.
____________
 Hedieh Javanshir Ilchi (b. 1981 Tehran, Iran) holds an MFA in studio art from American University and a BFA from the Corcoran College of Art + Design. Recently she was the recipient the 2010 International Research Mellon Grant and the Babs Van Swearingen Award from the American University. Her work is among a number of private collections in Washington D.C. where she lives and works.

 

To preview the works please contact info@contemporarywing.com

We look forward to showcasing this new series, along with our new home designed by Lori Graham Design at 1412 14th Street N.W. in Washington, D.C.

May 1, 2012

With private collections constantly evolving, collectors are always looking for innovative forums to discuss and market their desirable, high-quality works.

Though these artworks may no longer fit within the narrow focus of one collection, they may be a great acquisition for another.

During the summer months, June through September, Contemporary Wing will present OFF THE WALL, a series of collaborations which bring together serious collectors and the artwork they wish to exchange or acquire with other collectors who share a common passion.

If you have an exceptional work to propose, or a collecting sector you would like to expand, please contact info@contemporarywing.com.

Seeking:
Street Art
Works on Paper/Prints/Photography
Emerging Artists
Established Contemporary Artists
Works by African American Artists
19th Century/Old Masters
Design

NEXT GENERATION: Selections by Artists from the 30 Americans Collection

January 20, 2012


What do artists Nina Chanel Abney, Nick Cave, Rashid Johnson, Rodney McMillian, Gary Simmons, Xaviera Simmons, Shinique Smith, Henry Taylor, Hank Willis Thomas, Mickalene Thomas, and Carrie Mae Weems have in common?  They are all widely acknowledged as top contemporary American artists, all African American, and each artist’s work is included in the seminal Rubell Family collection, 30 Americans, currently on view locally at the Corcoran Gallery of Art.  But there is another connection.  This group of artists also recently assisted Contemporary Wing in selecting the exhibitors featured in its debut show in D.C. entitled, NEXT GENERATION: Selections by Artists from the 30 Americans Collection.  Contemporary Wing asked the artists to provide one or two names of emerging and mid-career, contemporary American artists who, in their opinion, best represent the “next generation” of artists who have the potential to define the American landscape in the next decade.

The result is a fabulous group of artists working in a broad range of media, including photography, painting, sculpture, installation, textiles, drawing, light and new media, as well as works that combine or hover between these media. The twelve participating artists in NEXT GENERATION are: Derrick Adams, Kajahl Benes, Caitlin Cherry, Sonya Clark, Alex Ernst, Wyatt Gallery, Kira Lynn Harris, David Huffman, Jason Keeling, Karyn Olivier, Gary Pennock, and Cheryl Pope. 

NEXT GENERATION runs from February 4 until March 10, 2012, Tuesday through Saturday from 11-6 p.m.  The preview is Friday, February 3, from 6-9 p.m., and the public opening is on Saturday, February 4, from 6-9 p.m.  The artists and Kalia Brooks, who critiqued the work for the exhibition catalog, will be present at both private and public openings.  Because of the scale of the works, the show is being held at an alternative site, at 1250 9th Street, N.W, in Washington, D.C.  NEXT GENERATION promises to present dynamic work of the highest quality that is changing the face of contemporary art, some of which deals directly with issues of race and diversity, and some with social and aesthetic questions more broadly.

A catalog will accompany the exhibition with critiques by Kalia Brooks, Exhibitions Director at MoCADA (Museum of Contemporary African Diasporan Arts) in Brooklyn, NY.

Derrick Adams – Derrick Adams is a New York-based artist who is interested in how perceptions and ideals attach to objects, colors, shapes and materials especially in the built environment. A recurring theme in his work is the relationship between man and monument.

Kajahl Benes – Kajahl Benes is a painter from Santa Cruz, California, who lives and works in New York City.  Benes creates large-scale paintings of figures incorporating divergent cultural symbols as well as ancient and contemporary signifiers within each work.

Caitlin Cherry – Caitlin Cherry is a painter and installation artist from Chicago, Illinois who lives and works in New York City.  In her abstracted self-portraits, she replaces her own figure with an avatar to compelling effect.  Most of her paintings are connected to, or held by, found objects that further engage the themes of her work.

Sonya Clark – Sonya Clark is an installation, fiber, and textile artist based in Richmond, Virginia. She explores the social significance of hair with regard to race and assimilation and related notions of beauty. Using the thin-toothed black combs found in any barber shop, and in some cases, thread, and hair foil, she creates sculptures and tapestries of rapturous form and color.

Alex Ernst – Alex Ernst is a New York-based sculptor who uses wood, string, and rudimentary tools requiring only the power of her effort.  Her process is intentionally stripped down, leaving form, the inherent beauty of materials, and a record of her impact upon them.

Wyatt Gallery – Wyatt Gallery is a photographer who often documents humanitarian crises.  This body of work, Tent Life: Haiti, is a series of photographs taken after the devastating 7.0 magnitude earthquake in 2010.

Kira Lynn Harris – Kira Lynn Harris was born and raised in Los Angeles, and currently works in Harlem, New York.  She is a multi-media artist interested in light, space, and perception.  Her installations destabilize perception in order to reveal a new orientation.

David Huffman – David Huffman is an abstract painter based in Oakland, California. His works are an amalgam of the formal concerns of abstract painting and social identity.

Jayson Keeling
– Jayson Keeling is a New York-based artist whose works evoke an ominous glamour.  He uses glitter on canvas to portray skeletons or nuclear explosions, and the tension created by disjunction in form and content draws the viewer to his work.

Karyn Olivier– Karyn Olivier was born in Trinidad and Tobago and works currently in Brooklyn, New York.  Olivier often uses playground elements in her work, since the playground is where children learn about isolation and socialization. Olivier also favors the repetition of identical forms–twin dilapidated houses or multiple tether balls–to transform banal elements into works of art.

Gary Pennock – Gary Pennock is a Brooklyn-based artist who works primarily with light, sound, and video projection.  With titles like “A Line Through the Center of Space,” and “Across the Stillness of Time,” Pennock transports viewers virtually to another dimension.  Beauty is a chief concern in his work.

Cheryl Pope – Cheryl Pope is a multi-disciplinary artist who incorporates collaboration and community into her process.  She is showing work from her “Hoop Dreams” series that is based on conversations with African American youth, many of whom expressed the belief–remarkably, to this day–that professional basketball is the only future open to them.

To preview the works please contact info@contemporarywing.com

Contemporary Wing would like to extend a special thanks to          CAS Riegler and City Interests for their generosity

Place Holder, Reminder & Prediction

July 10, 2010

Ashley No Love Lost by Gregory Crewdson

Apologies for the radio silence from the Specullector blog.  Friendly reminder to graduate students (you know who your are):

These posts are my opinions and I retain intellectual copyright. A blog is not considered an A source so I would highly suggest not using this content  for your theses. If you still decide to, please quote it, some of your professors could have second careers as private investigators.

I am happy to leave the blog up as a public archive and if there are any questions, or if you would like my opinion on an art world situation, please reach out to me at lauren@irvinecontemporary.com

One last final prediction: lets not ignore what is brewing in LA – London galleries opening outposts, NY power dealers accepting museum directorships, blockbuster Getty acquisitions, large financial and personal investments from mega-collectors  -  building blocks for the future of a new American and global art node.

Hitler Learns MOCA Job Goes To Jeffrey Deitch

February 12, 2010

For all you Contemporary Art people, hilarious YouTube must see: Hitler Learns MOCA Job Goes To Jeffrey Deitch

Hitler in his bunker hopes that he will get the job as director of the Museum of Contemporary Art, Los Angeles (MOCA), but is told by his senior staff that the job has gone instead to the New York art dealer Jeffrey Deitch, known for his business dealings and embrace of spectacle. Upset, Hitler lashes out at MOCA’s board of trustees, Deitch, some of Deitch’s artists (or those he admires) and the man who saved MOCA, L.A. philanthropist Eli Broad.

(thanks Veronica !)

Update: Christie’s Withdraws Yale Skull and Bones Ballot Box

January 16, 2010

NEW YORK (AP) — A New York City auction house says a human skull that had been used as a ballot box by Yale’s elite Skull and Bones society has been withdrawn from sale.

Christie’s said Friday that the 19th century skull was being removed from the Jan. 22 sale due to a title claim. The auction house declined further comment.

The skull had been expected to sell for $10,000 to $20,000. Christie’s only identified the seller as a European art collector.

The skull is fitted with a hinged flap and is believed to have been used during voting at the mysterious society’s meetings. The club was founded in 1832 and publicly known members, called Bonesmen, include both presidents Bush and Massachusetts Sen. John Kerry.

People sold stuff, it was just a little “eh.”

December 11, 2009

Busy in preparation for the last month for this make-or-break last week… happy to finally have time to write about the question on everyone’s mind – How was Miami?  The title quote definitely sums up the week.

Sales were way up from last year (how could they not be). The mood was education and post-fair due diligence, private parties in the evening.  I didn’t expect to see blind spending, but I did miss the enthusiasm, everyone was very restrained. So I guess the title of this post could also be: 2009 – More liquid, just less excitement.

I have been shopping around for a good article about the Top 10 and I finally found one I agree with by Sarah Douglas – Miami Postmortem: A Basel Top 10.

If it were a Miami Top 10, Beg Borrow and Steal at The Rubell Collection would have been #1 – artist list and images for those who couldn’t make the exhibition.

My personal highlight – Chuck Close visiting our Scope booth and spending a lot of time looking at work by Barnaby Whitfield and Shawne Major.

Shawne Major (New Orleans, LA) L'Argent, 2009. Plastic netting, clothing, fabric, plastic toys (including trophies, sheriff badges, coins, flies, rings, tiaras), chains, charms, ornaments, satin ribbon roses, silk flowers, appliques’, pendants, bead, buttons, costume jewelry, circuit boards, feathers, bottle caps, bracelets, braid & trim. 7 x 7 feet.

Announcing Introductions5

July 8, 2009

Irvine Contemporary is pleased to announce Introductions5, our fifth curated “MFA annual” that brings a selection of new artists from leading art college programs to Washington, D.C. Through a combined process of thesis exhibition visits, artist studio visits, and open submissions, we reviewed over 200 recent graduates from leading MFA programs across the US.

Opening reception with artists, Saturday, August 8, 6:30-9 PM.

Congratulations Introductions5 Participants:

Jonathan Dankenbring (MFA, Indiana University): Sculpture and Installation

Ultra, 2009. Hematite and jade. 4.3 x 2.4 x .3 inches each

Ultra, 2009. Hematite and jade. 4.3 x 2.4 x .3 inches each

John Hill, Jr. (MFA, University of North Carolina-Chapel Hill): Drawing

Proactive Teamwork (scene 4), 2008-2009, Pen on paper, 24 x 32 inches

Proactive Teamwork (scene 4), 2008-2009, Pen on paper, 24 x 32 inches

Christopher LaVoie (MFA, Maryland Institute College of Art): Sculpture

Headstone Milestone, 2009. Concrete and cord. Dimensions variable

Headstone Milestone, 2009. Concrete and cord. Dimensions variable

Paris Mavroidis (MFA, Pratt Institute): Digital Media & Film

Divers, 2009. Short Animation (Color), 3 minutes

Divers, 2009. Short Animation (Color), 3 minutes

Matt Sartain (MFA, Academy of Art University, San Francisco): Photography

Untitled (Night), 2009. Archival digital pigment print. Dimensions variable

Untitled (Night), 2009. Archival digital pigment print. Dimensions variable

Wayne Toepp (MFA, Maryland Institute College of Art): Painting

Monitor #12, 2008. Oil on canvas. 36 x 48 inches.

Monitor #12, 2008. Oil on canvas. 36 x 48 inches.

Yi-Hsin Tzeng (MFA, Savannah College of Art and Design): Painting and Mixed Media

Invisible: Box Series (Black), 2008. Acrylic and printmaking on panels, 8.5 x 8.5 x 19.5 inches

Invisible: Box Series (Black), 2008. Acrylic and printmaking on panels, 8.5 x 8.5 x 19.5 inches

Stacey Lee Webber (MFA, University of Wisconsin-Madison): Sculpture

Screwball 1, 2009. Screws, thread, mixed materials. Dimensions variable

Screwball 1, 2009. Screws, thread, mixed materials. Dimensions variable

Where have you been? What’s going on?

February 28, 2009

In Smithsonian news, LA and DC have  made a respectable exchange in museum professionals. Today, it was announced that Anne Ellegood, Curator of Contemporary Art at the Hirshhorn will be leaving us for LA, but in return we got a new Director of the Hirshhorn, Richard Koshalek.

In Corcoran news, my favorite fundraiser is coming up in March – Artini.  Since most of us in DC are still riding on the Obama stimulus plan (aka December, January and February, the inauguration months), why not continue to celebrate and also enjoy Maya Lin: Systemic Landscapes which opens March 14.

In DC gallery news, we’re all still here and everyone is doing fine.  We have the fascinating Lesser Madonnnas exhibition opening tonight of new work by Corcoran School of Art + Design graduate Melissa Ichiuji.  As a dealer and collector of her work, I highly advise a visit.  And for my street art audience, expect a treat in June at Irvine…

In Manifest Hope news, where do I begin?  Some important points:  All the merchandise from the exhibition can be bought on this website.  We raised over $20,000 for the Duke Ellington School of Arts. Arnold Schwaznegger is stunning. This link just sums up the experience.

In NY Armory news… I’ll have some after my visit this week.  If you want to stay updated on the NY gallery RIP list, you can join the speculation here.

arnold-schwarzenegger

I’m waiting at the switch

December 18, 2008

for permission to make public all the exciting art events during inauguration week… give me a week because if you’re in DC for the inauguration, I know where you should be (I just can’t tell you yet).

In other news, while some had thought that maybe I’d jumped off the edge of my booth in Miami and that’s why I wasn’t posting, not the case. I almost did though, once I realized about 10% of Europeans from last year came and only about 50% of the New Yorkers.  As you can imagine, the art fair quickly turned into an art war, but special thanks to Belgium, Italy, Laguna Beach, Seattle and the UK for your support.

Also one of my favorite collectors has told me that on one of the forums someone was writing that the Daleks in the my booth were based on some sort of a digital process and not hand-painted. That is completely false.  This:

dalek_untitled1_nov2008

and this

dalek_untitled2_november2008

are 28 x 28 inches of completely hand-painted acrylic on panel and so are the sides:

dalek_untitled2_sideshot

Don’t believe everything you read on the forums, you can only trust blogs!!! (and Wikipedia).

So until I get the OK to spill on the inauguration events, mark January 15th and 19th on your calendars and while you’re waiting, here’s a great excuse to visit the Hirshhorn.


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