Archive for January, 2008

Pigeonholing the Player

January 30, 2008

On January 28th, Artprice.com, a pretty reliable, yet clunky price database primarily used for European artists, has devised a way to measure the art “Players’ confidence” with their new Art Market Confidence Index (AMCI), live.

What’s become one of my favorite things is when a group or individual attempts to use an assessment created for financial services to gauge the art market. There are characteristics intrinsic to the art market which make this impossible (quickly: information asymmetry, absence of mark-to-market prices, no price standardization or transparency, costs, conflicts of interest, the fact that the art market is the largest unregulated money market, etc…).

So back to AMCI. All you have to do is go to their website and answer these 4 simple questions:

According to you, would now be the appropriate time to buy art works?

YES

NO

INDIFFERENT

Is your financial situation better or worse than it was 3 months ago?

BETTER

WORSE

STABLE

In the next 3 months, will you expect the economic climate to be:

FAVORABLE

UNFAVORABLE

IDENTICAL

What do you expect art prices will be in the next 3 months:

RISE

FALL

STABLE

You are then taken to this screen (link takes you into my account so you don’t have to share your info with ArtPrice or use LAUREN@IRVINECONTEMPORARY.COM and password – LAUREN) to see the live graph.

Looks like the Consumer Confidence Index doesn’t it? Generalized, and vague – self-fulling rather than foretelling. This indicator is not revealing. I just hope it will not influence behavior.

(confidence has decreased from -5.8 to -8.6 in the time it took me to write this)

Buying Blake

January 18, 2008

Immediately after the death/sucide of Jeremy Blake was announced there was a spike in readers brought to the blog by search terms such as “buy jeremy blake”, “buy blake prints”, “jeremy blake prices” etc.

At cocktail parties I’ve heard from amateur specullectors that an artists’ death is the easiest way for their art collections to appreciate. While basic Keynesian theory supports that, it’s not always the case. Thus, the following information may be disappointing to some, but I promise it is true and common practice:

Jeremy Blake, whose suicide last summer was all but incomprehensible to the career-obsessed art world, has had his beautifully mounted retrospective homage at Kinz, Tillou and Feigen Gallery [his dealers] … Fans may be slightly daunted however by the fact Blake did not often sign his digital prints, they have no edition number and, choicest of all, there are no actual, vulgar prices given for any works. Instead you have to leave your name and contacts and wait to see if you are deemed suitable. It’s an elegant system that keeps collectors on tenterhooks.

Don’t Call Us, We’ll Call You by Adrian Dannatt – The Art Newspaper, Jan 08, p. 36

Luckily there is still a way to enjoy Blake’s work where right of entry does not rely on pedigree or contacts. Check out Wild Choir: Cinematic Portraits by Jeremy Blake at the Corcoran Gallery of Art through March 2nd.

american-sex-machines.jpg
Jeremy Blake, Working still from Glitterbest, 2006, digital video and sound (Courtesy Kinz, Tillou + Feigen, New York)

Job Opening

January 10, 2008

in New York

and the 2 he would take with him:

crucifixion-1.jpg

The Crucifixion by Jan van Eyck

472px-jean-antoine_watteau_-_mezzetin.jpg Mezzetin by Jean Antoine Watteau

I Guess We All Wondered

January 9, 2008

Our own, Dr. Paul Greenhalgh, director of The Corcoran Gallery of Art, got a great sound bite in this month’s The Art Newspaper when asked if he was related to the infamous Greenhalgh family of forgers. The Greenhalgh’s, who have deceived many prominent dealers and museums, have most recently made headlines with a Gauguin forgery in the collection of The Art Institute of Chicago.

(Our) Greenhalgh says he has no relation to the forger family, but that “…there is actually a Paul Greenhalgh who was a star of one of Britain’s soap operas, ‘Coronation Street’ (set in the North of course). Sadly I am not him either, though I am sure it helped my cause at home over the years that a lot of people thought a TV star was writing to them.” (The Art Newspaper, Jan ’08, pg.2)

paul_corcoran.jpgOur Greenhalgh

images.jpg “Coronation Street” Greenhalgh

187-n-faun.jpgFake Gauguin


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